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Melody or Witchcraft
Jennifer Franklin: 'I've stopped being Theirs —'
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Jennifer Franklin: 'I've stopped being Theirs —'

episode 1:3, podcast & show notes

Jennifer Franklin is a poet, professor, and editor whose lastest book is If Some God Shakes Your House (Four Way Books, 2023). Her work has been commissioned by the Metropolitan Museum of Art and her awards include a Pushcart Prize, a NYFA/City Artist Corp grant, and residencies from the T.S. Eliot Foundation and Café Royal Cultural Foundation. Her publications include The Paris Review, The Nation, poets.org, and “Poetry in Motion” from Poetry Society of America. She leads manuscript revision workshops and teaches in Manhattanville’s MFA Program.

I’m ceded – I’ve stopped being Theirs –

The name They dropped upon my face

With water, in the country church

Is finished using, now,

And They can put it with my Dolls,

My childhood, and the string of spools,

I’ve finished threading – too –

Baptized, before, without the choice,

But this time, consciously, Of Grace –

Unto supremest name –

Called to my Full – The Crescent dropped –

Existence’s whole Arc, filled up,

With one – small Diadem.

My second Rank – too small the first –

Crowned – Crowing – on my Father’s breast –

A half unconscious Queen –

But this time – Adequate – Erect,

With Will to choose, or to reject,

And I choose, just a Crown –


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Portrait of the three Dickinson children a replica of which hangs in the parlor at the Homestead (the original lives at the Houghton Library at Harvard). Emily is on the left, about age 9—red hair, holding (already) a book and a flower.

As Antigone
Jennifer Franklin

I’m all done being nice.

It hasn’t gotten me anywhere.

Since I was young, I gave

everything away—milk

money, homework, adoration.

Everyone wanted to make me

into a small version of herself—

teaching me weaving, writing,

wiles. All I wanted was love—

picked a bouquet of dandelions

and handed it to my mother.

When she turned her mouth

into a little o and called the tight

yellow suns weeds, my body

became a weight I wanted

to let go. I thought of all

the lessons I memorized

to keep me still, the colors

I couldn’t wear because

they clashed with my red hair,

all the rules of modesty

so men would not look at me

with hunger. The only thing

I owned was a jar I was given,

like Pandora, as a girl. Before I

unlatched the lid, I had already lost

everything—faith, health,

my child. I refused to watch

what flew out. But something

hard as lapis, real as want,

wrenched my wrist right back

so hope remained, writhing

alone at the bottom of the jar

like dirty water after dead

tulips are discarded—

yellow stamens dropping

pollen to the floor. Silent,

it watched me for years.

Months at a time, I forgot

it was there. But when it’s

trapped like that, it grows

so large, nothing can quell it.

No one thanks me for what

I have done. But I don’t need

praise anymore. I turned

weeds into flowers.


The Frost Library at Amherst College has a lock of Emily’s red hair.

Concepts mentioned:

Keat’s Negative Capability

The persona poem

Epistolary poems

Other Dickinson poems mentioned:

The Soul selects her own Society –”

The Master Letters

After great pain, a formal feeling comes –

“’Hope’ is the thing with feathers”

“They shut me up in Prose –”

Characters mentioned:

Antigone

Pandora

Persephone

Persephone is forever associated with the pomegranate. Photo by Karina Syrotiuk on Unsplash

People mentioned in the interview:

Alice Quinn (Columbia U)

Richard Howard (Columbia U)

Arnold Weinstein (Brown U)

Ovid

Du Fu

The Romantics

Lucie Brock-Broido

Jane Hirshfield

Louise Glück

(T.S.) Eliot

(William) Blake

Michael Harper

Rita Dove and her book, Mother Love

Lucille Clifton

Laurie Sheck – The Book of Persephone

James Joyce

Proust

Viriginia Woolf

William Faulkner

Lucia Joyce

Sylvia Plath

Books mentioned:

Anne of Green Gables

Jane Eyre

Wuthering Heights

Recorded October 2025.

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